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over three hundred films by the end of his career. 22 :9 Steiner took advantage of this offer and used an eighty-piece orchestra, explaining the film "was made for music". If Wagner had lived in this century, he would have been the. The music in the film's finale helped express the tender feelings Kong had for the woman without the film having to explicitly state. 18:08, (UTC) 09:44, (UTC). 59 22 :293 27 :521, 543 Often compared to his contemporary Erich Wolfgang Korngold, his rival and friend at Warner Bros., the music of Steiner was often seen by critics as inferior to Korngold. Much to Steiner's pleasure, it ran in the Orpheum Theatre for a year.

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Retrieved June 18, 2018. These productions include operettas and musicals written by Victor Herbert, Jerome Kern, Vincent Youmans, and George Gershwin, among others. 23 :56 For example, in Of Human Bondage Steiner created a limping effect with his music whenever the clubfooted character walked. A b Gorbman, Claudia (1987). In England, Steiner wrote and conducted theater productions and symphonies. 10 :2 However, one of his first introductions to operettas was by Franz Lehár who worked for a time as a military bandmaster for Steiner's father's theatre. Steiner was the only composer Selznick considered for scoring the film.

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